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At the core of my approach lies a conviction: true painting is measured on another scale — not by likes, not by fashion cycles, but by decades and generations. I work in the tradition for which people still fly to Paris and Madrid museums, stand in lines and pay high ticket prices — not to consume visual content, but to experience a meeting with a thing capable of astonishing and shaking them. I work in a plane where today’s trends have no weight. The contemporary scene can change every six months, the market can pivot in a week, and informational attention can vanish in a day. But the works that truly define an era are created in full opposition to that rhythm. That is the direction I have chosen. My paintings are made slowly, at the edge of craft. The time and concentration poured into the work are not a side effect but part of its nature. The value of such canvases is not formed by a mood-driven market; it grows out of a quality visible without a signature, without context, without explanation. Collecting such works is a decision not to “decorate walls,” but to own a rare level. The very level for which history preserves works — not fashionable manifestations of an era. My paintings are acquired not for an artist’s media presence but so that in one’s personal space there exists an object of another order, not subject to short-term logic. Money is not a motivation in this process — but it is a filter. Price does not assign value — it fixes the rarity of labor, the scale of time, and the level of mastery that cannot be produced quickly. In this context the collector is not a buyer but a partner in the continuation of a line that cannot stand on the enthusiasm of a single person. I have accepted this tradition because it must be continued in our time just as it was once continued in the past. If you choose not speed, not noise, not fashion — but the territory of meaning, duration, and museum-grade standards — if you understand this logic, you belong to the small number for whom supporting classical painting today is an act of choosing a level, not a whim of taste. I am open to private commissions and to supporting projects built for a long life.

“I make what is kept, not what is quickly sold…”